Archive for the 'Biblical' Category

Mel Gibson “bio” video on YouTube

posted June 24th, 2007

One of the thing’s that’s interesting about this video (filmed, apparently, around the time of the release of Passion) is that Mel himself (or whoever in his crew handles his MySpace page) actually drew our (his fans’) attention to this thing–hence our passing it on to you. It is educational, in a certain strange way..

There seems to be a modest attempt to give “both sides” to the controversy, though the narrator’s choice of language at times speaks volumes. Otherwise it comes across as a poor re-hash of the old anti-Passion (and mostly ad hominem) ttwaddle. But whatever side they’re on (three guesses and the first two don’t count), what possessed these filmmakers, I wonder, to invoke the opinions of Ted Casablanca (huh?) and Christopher Hitchens? Different as they are, both men seem to share the currently popular media (and journalistic) misconception that a sneer is an argument…which, I suppose, is an answer to my question, albeit a depressing one.

(As for “arguments” in this business, mine are to be found in several places on the web:

Here’s the “bio” video from YouTube:

The Nativity Story (2006)

posted January 12th, 2007

reviewed by John Murphy

The First Noel

The Nativity Story begins with the melancholy strains of “O Come, O Come, Emmanuel” and proceeds quickly to the Massacre of the Innocents. Not exactly the Hallmark version of Christmas one might have expected. Catherine Hardwicke, director of the hard-hitting teen drama, Thirteen, immediately establishes a tone of tasteful realism in the opening sequences that nods to The Passion of the Christ’s more brutal treatment of Biblical material.

The story of Christ’s birth—from the angel’s annunciation to the humble manger—is so familiar by now that it would seem to defy surprise in a retelling. And, for the most part, that is true of the Nativity Story, directed by Hardwicke’s in a style so restrained as to border on soporific. Yet it is essential to the film’s success that it stays faithful to it source and does not attempt any revisionist variations on the events. In this film, angels are angels, Mary is the Blessed Virgin, and Christ is the Son of God. That may not seem like so much to ask, but our current culture’s poisonous atmosphere of cynicism, skepticism and materialism offers no guarantee that even a religious film will portray religion in a positive light.

 

 

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