Starring Bing Crosby Danny Kaye, Rosemary Clooney, and Vera Ellen
White Christmas was the biggest box-office hit of 1954 and it’s not hard to see why. Watching the movie is like waking up Christmas morning to a stocking stuffed with goodies. It’s about as light and irresistible as whipped cream, and makes for great family viewing during the holiday season.
Bing Crosby and Danny Kaye star as former war-buddies turned successful song-and-dance act, Wallace and Davis. While on the road, they chance to meet a sister-act, Judy and Betty Haynes (Vera Ellen and Rosemary Clooney), and on a lark follow them to
Turns out a heat-wave in
White Christmas is such an assortment of cliches that only the best in the biz could have made it not
only watchable, but absolutely entertaining. In this movie’s case, producers could count their blessings instead of sheep: three effortlessly charming movie stars, Bing Crosby, Danny Kaye, and Rosemary Clooney; a legendary director behind the camera, Michael Curtiz (Casablanca, the Adventures of Robin Hood); instant-classic songs by Irving Berlin (including the canonical title song), a colorful supporting cast, eye-popping Technicolor camerawork, and eye-candy costumes by Edith Head (35-time Oscar nominee, an all-time record for costume designers). Heck, even Bob Fosse shows up for a few dance numbers. These ingredients combine to make a sumptuous feast of a film from an otherwise unpromising recipe.
The script, though predictable, has a breezy charm that perfectly suits the leads. Bob Wallace was a part clearly written for the laconic Bing Crosby and even incorporates some of Bing’s trademark zingers. When Kaye, who’s been trying to set Bing up with a dim-bulb broad, admits “So she didn’t go to college, she didn’t go to Smith,” Bing retorts,
“Go to Smith? She couldn’t even spell it.”
Danny Kaye is a great foil for laidback
And then there’s the tunes written by a fellow named Irving Berlin. Not too shabby. A showstopping
sequence featuring Kaye and Crosby lip-synching the “Sisters” song in drag is alone worth the price of a rental. Second best is a dance sequence where Kaye — in leotards, a beret, and mascara — leads a troupe of sour-faced dancers in a hilarious send-up of Martha Graham-style Modern Dance. Sample lyric, in reference to the pretentious practitioners of the art of Modern Dance:
Through they air they are flying
Like a duck that is dying
Instead of dance, it’s choreography
This is why White Christmas deserves its spot as a seasonal classic. It may not do anything original, but what it does do, it does extremely well. After all, milk & cookies may be predictable, but they are undeniably tasty. Check your cynicism at the door and you’ll find yourself humming the tunes and wishing Edith Head would design your New Year’s Eve outfit.

















